By choosing the more clinical way of listening to this guitar feedback solo, the musical gestures are amplified and one notices a more unraveling structure, as though Miyamoto intended for the piece to gradually lose momentum in segments, which is a very effective strategy to calm the listener. However this raises a contradiction, because the feedback itself is rather complicated in terms of texture. Close listening brings to light slight granulations and clicks beneath the surface of elongated tones. As you're being calmed you're intrigued by the always changing state of these otherwise static gestures. The result is really quite beautiful. The latter method of listening suggest a more loose, dreamy atmosphere, like fragments of a dream slipping through your ears. The tones sound rather ambient on their own, so by allowing the timbres to take control of your ears rather than the other way around, you're transported to forests and other scenes akin to the one plopped on this cardstock cover. Again, very splendid and strangely fascinating. For fans of those familiar with the genre who have been intrigued by the idea of onkyo redefining ambience, regardless of having been less than impressed with the results or not.